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Midnight Blue | 
| Artist: Kenny Burrell
Label: Blue Note Records
Category: Music
List Price: $11.98
Buy Used: $5.19
You Save: $6.79 (57%)
New (39) Used (13) from $5.19
Rating:  38 reviews
Sales Rank: 1603
Format: Original Recording Reissued, Original Recording Remastered
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 95335
UPC: 724349533523
EAN: 0724349533523
ASIN: B00000I41G
Release Date: March 9, 1999
Availability: Usually ships in 1-2 business days
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| Tracks:
| ⋅ | Chitlins con Carne | | ⋅ | Mule - Kenny Burrell, Holley, Major | | ⋅ | Soul Lament | | ⋅ | Midnight Blue | | ⋅ | Wavy Gravy | | ⋅ | Gee Baby, Ain't I Good to You - Kenny Burrell, Redman, Don | | ⋅ | Saturday Night Blues | | ⋅ | Kenny's Sound | | ⋅ | K Twist |
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| Editorial Reviews:
Amazon.com
Kenny Burrell's music is a wonderful blend of elegance and conviction, musical inventiveness and thoughtful restraint. On this 1967 session, the guitarist is joined by regular associates--tenorist Stanley Turrentine, conga drummer Ray Barretto, bassist Major Holley, and drummer Bill English--and together they concentrate on the subtlest and deepest hues of the blues, combining strong rhythmic grooves with a feeling of late-night reflection. There's never a misstep or a superfluous note, from the funky Latin hit "Chitlins Con Carne" to Burrell's deeply felt solo "Soul Lament" and the concentrated swing of "Gee, Baby, Ain't I Good to You." The result is a masterpiece, and the 24-bit remastering by the original engineer, Rudy Van Gelder, adds to the spaciousness and intimacy that have always been hallmarks of the session. --Stuart Broomer
Album Description
Alfred Lion considered this his favorite production and well he should have. Without piano, Burrell, Stanley Turrentine and company get a clean open sound and a deep groove on such now classic compositions as the title tune and "Chitlins Con Carne", which has become a blues band staple. This RVG Series compact disc also includes extra photographs and 2 bonus tracks.
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| Customer Reviews: Read 33 more reviews...
Kinda blue, kinda cool... January 8, 2009
Nikica Gilic (Zagreb, Croatia)
As far as remastering goes, this is one of the most pleasant listening experiences I've heard recently (although I'm not a hi-tec geek - just a music geek). As far as music goes, this is probably one of the best albums I've recently rated on the amazon... Comparisson to Billie Holiday might seem silly (might even be silly), but I think that Kenny's feeling for the blues is similar to Lady Day's - she sang blueish whatever she sang, and she very rarely sang the blues!
This wonderful blue note album is full of the similar emotion and the similar musical subtlety in at first glance quite simple tunes... If you don't believe me, just listen to the sole standard of the album "Gee Baby, Ain't I Good to You" - a blue-tinged song, not a blues.
Since my feeling for this album is shared by almost every other contributor to this site I'll stop here and give my warm and blue five stars to Burrel, Stanley Turrentine (ts), Major "The Mule" Holley Jr. (b), Bill English (dm) and Ray Barretto who enriches the groove with his congas.
BTW, this beautifuly designed edition feature's new liner notes and the original liner notes written by Leonard Feather. Listen. Enjoy.
Quintessential blue is Midnight Blue December 2, 2008
Eric C. Sedensky (Madison, AL, US)
This is one of those really cool jazz recordings that, I think, tends to get overlooked. Whatever effect Kenny was trying to achieve by calling it Midnight Blue and then filling it with blues melodies and bluesy jazz tunes has been achieved several times over. As I've said in a number of my reviews, jazz guitar has never been my passion, and although Bill Frisell has done a lot to change that perspective, I must admit I continue to be dispassionate about most jazz guitar work. That's why I'm surprised (pleasantly so) at how much I like this recording. Maybe it's the blues emphasis that does it for me, or maybe it's the solid backing band that Kenny allows to come forward often enough that his guitar isn't bashing you over the head from start to finish. It could also be the cool blows of Stanley Turrentine, the swinging bass of Major "Mule" Holley, or the timelessness of the songs. Whatever, I also find Burrell's guitar not as honky-tonky as Wes Montgomery, and not as mercury-smooth as Frisell, so that Kenny's unique guitar sound in the context of these relatively familiar tunes keeps me at attention. Kenny's solo on Soul Lament is just dripping with blue something, and Chitlins Con Carne isn't a jazz standard for nothing. In short, I think this is a great sounding recording (as most Van Gelder Blue Note remasters are) with a talented band and leader doing a nice selection of classic blues tunes, and I really can't ask for much more in a jazz recording. I recommend this to jazz fans and non-fans alike.
Midnight Blue by Kenny Burrell September 11, 2008
P. Landry (L.A., California)
For the coolest of late night straight ahead "classic" jazz trio and combo grooves... this is the CD to grab immediately! Every cut and cat on this disc has something to say and I can't get enough! No wonder Stevie Ray Vaughan dug Kenny! Kick back and listen up! This is one of my all time favorites!
A Jazz Guitar Classic July 22, 2008
Viljakka Matti (Finland)
1 out of 1 found this review helpful
Kenny Burrell`s "Midnight Blue" is surely familiar to every Jazz lover. I found a very interesting aspect of his guitar playing listening to Illinois Jaquet`s recordings from the sixties. Excellent guitar playing, fine nuances, extraordinary emotional "Stimmung"!
IN THE MOOD FOR JAZZ? April 27, 2008
River Song (USA)
If you are in the mood for jazz, get ready to enjoy! The musicians meld their individual skills into a colossal classic!
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